“Velvet Davenport are an “interestingly weirdo, backward-glancing psychedelic Minneapolis sextet” – Stereogum. These two songs are off the upcoming 7″, “Get Out” due out on March 31, 2010.

Velvet Davenport: Get Out

Velvet Davenport: Run

As you all may know, Broken Social Scene is my favorite band of all time. They can never jump the shark, and they can never be classified or genre’d. They are the perfect storm that encompasses several entities all based out of Austin North aka Toronto Ontario. I will find a way to see them on this tour but there are several scheduling conflicts. New album is released May 4th. Reminds me of being in England, pre ordering the cd and listening to it weeks before the cd arrived. I heart BSS.

Click here to download World Sick

Click more to see a high quality live version (highly recommended especially if you’ve never seen them live)
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New video for the single “Let Go” by JJ. Album is out March 9th.

The Blues is off the upcoming album by Primary 1. If you like this, download Mess Detective, a 15 track collection compiled of demos and earlier work.

Yelawolf is a rapper from Gadsden Alabama. All I can say is white boy can rap. I also like his hobo aesthetic that I sometimes try to emulate. Cheap watch cheap shades cheap whip.

In the age of crappy mashups, it’s nice to see something beautiful created from so many different sources. I spotted this over at I guess I’m floating and was impressed with what I heard. As Nathaniel point’s out the Animal Collective/M83 influences are pretty obvious but this song also reminds me of tracks by The Avalanches. Not bad considering it was mixed in a dorm room.

Gotta love a put together video! Close your eyes and tell me this guys doesn’t sound like the Lincoln Park bro.

This is Lemonade’s follow-up to their praised and explosive debut album. This EP is an utterly unique take on electronic dance music, this time focused and melodic. It incorporates more explicit soca, dub, and calypso influences into Lemonade’s existing ravey palate. Even if those sounds are channelled through 16-bit samples and city stories the record has a certain wetness to it- a rich vegetation of sounds. Tight electronic arrangements layered with Alex Pasternak’s fiercely clattered drums, Ben Steidel’s invitingly rubbery bass and Callan Clendenin’s wobbly vocal harmonies float in and out of scope. The whistles of Bedstuy’s West Indian Day Parade ring out in “Banana Republic”, Ballearic synths carress “Remain In Jah”. The EP’s leading track “Lifted” somehow submerges its anthemic chorus and raindrop synths under a deafening waterfall. It feels good. If their debut was citric slime, this EP is an orange; firm and almost uniform in its peel, sweet and wet inside.